Jazz (Jazz), a form of music that originated in Africa, developed from folk songs. Jazz shows a prosperous scene in various forms. Its music style is extremely dazzling, and the rhythm is generally distinct and strong. From the root cause of Bruce and Ragtime (Ragtime), after passing the New Orleans Jazz to Dixieland, swaying music, mainstream jazz, , Pop, Modern Jazz to Liberty and Electronic Jazz.
Catalog
Overview The development of history The birth of Bruce Jazz era New Orleans: Jazz's cradle Early musician Jazz "Jelly Roll" Ferdinand Morton LOUIS Armstrong's birth in New York and the big orchestra n "Kings" Louis n Jazz Times paul Whiteman —— The King of Jazz 's inheritance The history of jazz in China I artistic characteristics NODJB (The Original Dixieland Jazz Band)
Free jazz (JAZZ FUNK) (Post-Modern Bop) Acid Jazz (Acid Jazz): n Development history of root search The birth of Bruce The copper tube band and Lagatim enter the Jazz era New Orleans: Jazz's cradle Early musician r Jazz Stique Louis and "Kings" Joseph O1iver creo1e jazz band The first jazz record "Jelly Roll" Ferdinand Morton LOUIS ARMSTRONG The birth of the orchestra "Kings" Louis The Jazz Times paul whiteman —— The King of Jazz? of the heritage n Jazz's history artistic characteristics n n R n The type of Blues Ragtime n Swing Bebop or bop Cool jazz New Roar and postmodern roar Bossa nova Acid Jazz): Modern jazz other Expand In less than a century, this name is Jazz [1] (Jazz Music) (Jazz Music) Music, with significant American characteristics, developed from the obscure and downs of the people to develop into the most massive artistic type produced by the United States. Now that people are listening and playing it in almost every corner of the world. Jazz appears in such a large number of forms, and each form is very important, which has maintained its own characteristics and unique charm. If you want to appreciate all kinds of jazz and appreciate all kinds of fun, you must not need to have an open attitude, compatible and listening. The development history This traceability The 19th century music is an important means for black slaves in southern American planting gardens to express self -life and emotions. Since the end of the 19th century, Jazz is based on traditional British and American music, mixed with Bruce, Lagatim and other music types. It is a "mixed -race" product. Black music in the Americas preserves a large number of African characteristics, the rhythm characteristics are obvious, and the characteristics of collective improvisation are retained. Most of this tradition and new residential music — most of them are vocal -combined, as a result, it was not just a new sound but a new form of music expression. The most famous African -American music is religious. These beautiful and moving songs are also listened to, but they have a one more high -class society than the songs sung in the rural black church. The gospel music that people know today is more accurate. Inheritance. Other early music forms include workmanship, nursery rhymes, and dance music that can be traced back to the era of slavery. These have become important music heritage. In particular, the music activities are considered strict restrictions under the system at that time. Bruce's birth It's abolition of slavery and slavery, after the liberation of the slave, the development of Africa -American music is rapidly developing. The instrument abandoned by the Army and the newly obtained migration freedom has formed the foundation of jazz: copper pipe music, dance music, and Bruce. Bruce Bruce is a kind of music form. It can actually have almost infinite changes. It has always been an important part of any kind of jazz music, and it successfully maintains its own independence. It can be said that without Bruce, it is impossible to have today's rock music. Simply explain that Bruce is generally composed of music every eight or twelve sections. The lyrics are closely lyrics. The reason for its "depression (blue)" characteristics is And the "SI" sound dropped. In fact, Bruce is a secular music form corresponding to religious music. The copper tube band and Lagatim In the late 1980s, black copper tube bands, dance bands and concert bands appeared in most southern cities in the United States. At the same time, black music in northern United States tends to European style. During this period, Ragtime began to form. Although Lagatim played mainly on the piano, some bands also began to play it. Lagatim's golden age was about 1898 to 1908, but its time span was actually very large and the influence was endless. Recently, it has been discovered. The new "Lagatim" is characterized by the melody and a lot of use of cutting sounds, but its Bruce factor is almost disappeared. Lagatim is closely linked to the early jazz, but it is certain that Lagatim's rhythm is relatively stable. The most famous composer of Lagatim is Scott Joplin (1868-1917). Other famous Lagatim masters include James Scott, Louis Chauvink Eubie Blake (1883-1983), Joseph Lamb, etc. Although the latter is white, he completely absorbs the connotation of this form of music. The enters the Jazz Rag Taim, especially the popular style of diluting jazz colors. Its entertainment object is the middle class and is not happy to be an orthodox music. Jazz first appeared in the late 19th century, but it was not called "Jazz" at the time. It was originally called Jass and first appeared in the residential area of black workers in the southern United States. Like Lagatim, jazz was first appeared as a dance. The earliest cities that became the early jazz are new Oliang. This statement is a bit real, but it is also exaggerated. New Orleans: Jazz's cradle The New Orleans played a key role in the birth and development of jazz. Here, the early historical research and records of jazz music have been deepened than other places. During the period from 1895 to 1917, New Orleans' jazz may be more and better than other places, but this does not mean that New Orleans is the only place to produce jazz. The music produced by a considerable number of black people in the southern United States should be regarded as a kind of early jazz music. If in Memphis, W. C. Handy (1873-1958) a Bruce composer and collector. Other cities also include Atlanta, Baltimore, etc. At that time, New Orleans seemed to be outstanding and unprepared due to its very open and free social atmosphere. People of different beliefs and different races can contact each other, so the music tradition of music under such an easy -to -communicate environment is very rich, including France, Spain, Ireland and Africa. In this way, it is not surprising that New Orleans became the fertile soil that bred jazz. If New Orleans is the place where jazz is born, although there is a big deal of New Orleans , but if it is a bit real, the statement about jazz is completely nonsense. Although New Orleans did legalize the karma and therefore produced several most exquisite and tasteful "sports houses" in the United States, if the music played in these places was only a piano solo. In fact, for the first time, people heard the jazz that is quite different from this. At that time, New Orliang's attention was many organizations and brotherhood organizations. Most of them funded or hired a band for different occasions -such as indoor or outdoor dances, picnic clubs, shop opening ceremony, birthday or birthday or birthday or birthday or birthday or birthday. The anniversary party is performed. Of course, playing jazz is also a feature of the funeral team. This is still the case to this day. According to tradition, the band gathered at the door of the church, playing the solemn song and sad song, leading the funeral team to move forward slowly towards the cemetery. On the way back, people's pace accelerated, and the runes briskly replaced Ragaiham. This line of running can always attract many people to watch, which is of great significance in the development of jazz. Those trumpet and monocular handlers created their talents at this time, and the drummers also played rhythmic beats, which became the basis for making the beats "swaying". Generally speaking, jazzle is two -shot, two or four beats in each section. The rhythm background of this two -beats always exists in the subwoofer, which makes jazz music have a stable and regular rhythm foundation. Above the rhythmic bass, it is the irregular melody, harmony, and opposition part of the stress position. They are commonly used to form a strong contrast between the scoring effect and the regular bass. Early musicians Most of the musicians in these early bands are some kind of craftsmen (carpenters, bricksmiths, tailors, etc.) or those who perform music performances on weekends or holidays Money to work. The first famous musicians in New Orleans were the first jazz musicians were Buddy Bolden (1877-1931). He was a hairdresser. He played a short number and formed a band in the late 1990s. He may be the first person to combine the roots and rough Bruce with traditional band music, which is of great significance in the history of jazz development. Bolden was treated for a psychiatric attack during a parade of Mardi Gras, and spent his lives at a mental hospital that retains stubborn patients in the rest of his life. He is said to have recorded records, but it has not been confirmed so far. The music we know comes from the memories of other musicians who have heard of his performance when we were young. Bunk Johnson (1889-1949) blows the second short number in Bolden's last band. In the last ten years of his life, the reason why people can re -interested in re -interested in New Orleans Classical Jazz is Bunk Johnson. He is an outstanding storyteller, with rich personality. Most of the legendary stories of New Orleans are related to him, but the most exaggerated ingredients he spoke by him. Many people, including some senior jazz fans, believe that the early jazz musicians are geniuses who have learned their own talents, and believe that they have neither score nor a day of music class. This statement is romantic, but it is a thousand miles. Almost all important characters in early jazz music are at least in terms of orthodox music foundation, and some accomplishments are deeper. Nonetheless, their innovation spirit in the use of musical instruments is still unique. The most significant example is Joseph O1iver (1885-1938) (nicknamed "King"). He is a short number hand and band leader. He has used all kinds of things that he can find, including drinking cups, buckets in sand, and bathtub plastic water plugs to make his short numbers blow out a variety of sound changes. Freddie Keppard (1889-1933) is the main competitor of O1Iver. Keppard does not need to be weak, which can make him proud of being the brightest short hand of New Orleans. Koppard is also the first New Orleans to bring jazz to other parts of the United States. In 1915, he cooperated with the Original Creole orchestra to perform light opera in New York. Jazz Around 1912, the musical instruments of the typical jazz band include short numbers (or trumpet), long numbers, clarinet, guitar, bass piano and drums. (Because it is inconvenient to carry, it rarely uses piano). The early jazz is now impressed by Ban Zhuoqin and large. In fact, the jazz band began to use them in the next few years. This is because the early recording techniques can not have a softer guitar and bass violin. pickup. At that time, the jazz band was the short -term number. The long number echoed the chord in the bass area in the bass area, and the clarinet played a modified performance in the two. The earliest impromptu player in jazz is one of the Sidney Bochet (1897-1959). He was a skilled musicians less than ten years old. Later, he turned to play treble Sax. He is also the first jazz musician to be famous abroad. He visited England and France in 1919, and he visited Moscow in 1927. Most jazz musicians claim that their music does not have other names except Ragtime and Sounds. First of all, the word Jazz (Jazz) was a long -handed band of Tom Brown. He was a white man from New Orleans. He used the word in Chicago in 1915. The source of this word is unknown, and its original meaning has always been divergent. The first band to use the word "Jazz" and spreading it is also a white band, and it also comes from New Orleans. This is "Original Dixieland" (Originai Dixieland Jass Band). This orchestra achieved huge success in 1917 and 1918. They were the first jazz band to record records. Most of the members of this band had worked in the band of "Dad" Jack Laine (1873-1966). Jack Laine is a drummer who is considered the first jazz. Anyway, the characteristics of music fusion in New Orleans are relatively obvious. There are some African -Americans with less skin tone "mixed" into the white band. By 1917, many important jazz players left New Orleans to the north, and there were white and black people. The reason is not the closure of the new Orleans's infamous red light district. Simply put, it is just economic reasons. The European War made the American industry prosperous. These musicians, like those millions of workers, flooded to the north, where there is a guarantee to find a better job. Stique Louis and "King" Joseph O1iver "Kings" Joseph O1iver moved to Chicago in 1918. In order to fill his vacancies in the best band in his hometown, he recommended the 18 -year -old Louis Armstrong (Louis Amsterram) -the people who are older than him call him "Privilege". He was born in On August 4, 1901, the family was poverty in the black people of New Orleans. His earliest music event was to organize a boy's four -sung group to sing money on the street. Later, he sold coal and did it on the flood dyke. Louis Armstrong's first music class was in the influence institute. He was sent to the Edating Courtyard for 18 months because he was put on the street with an old pistol on New Year's Eve in the New Year in 1913. When he came out of the influence, his music level was enough to find a job in the band in the city. The first famous musician who discovered the talent of this young man was the "Kings" Joseph Oliver. He gave Louis a music class and was worshiped. Creo1e Band Arrffaver invites Amsterram to join his band in Chicago, Zhi Ru Gecheng has been a new World Jazz Center. Although New York is a place where the "Original Dixieland Orchestra" (ODJB) has achieved great success, and the atmosphere of Suile dancing in the New York is only inherited from the style of ODJB in the New York. The essence of music. They just imitate (the first and most successful is Ted Lewis). At that time, the southern musicians in New York were also poor, so they could not bring New Orleans' pure style. But the situation in Chicago is different, a large number of musicians from New Orleans. The ban on the ban has just been abolished, and the nightlife of this city can be described as colorful. Here is a lot of "Creo1e Jazz Band" of "King" Joseph Oliver than other bands, especially after Louis Armstrong in Chicago in 1922. This orchestra represents the last glory of the New Orleans Classical Jazz's ensemble, and it also indicates the beginning of a new style. In addition to these two short numbers, the other stars in the orchestra include the DODDS brothers, namely the monocular dodds (1892-1940) and the drummer Baby Dodds (1898-1959). Baby Dodds has increased the subtle rhythm of jazz's drum rhythm and internal power to a new level. Together with another New Orlean drummer Zutty Singleton (1897-1975), he brought the concept of "swing" to the jazz drum performance. But the "missionary" of the swing music is undoubtedly Louis Armstrong. The first jazz records "Creo1e Jazz Orchestra" began to fill the record in 1923. Although this is not the first New Orleans black orchestra to make records, it is the best. Their records are widely released across the country, and the influence of orchestra on other musicians is also huge. Two years ago, the "Sunshine Orchestra" (1886-1973) became the first orchestra to make jazz records, but they were made in an inconspicuous California company. The company's bankruptcy soon, and their records were rarely heard. It was also in 1923, "New Orleans Rhythm Kings" -n a white band active in Chicago began to record records. This orchestra is far more complicated than the previous "Original Dixieland". In a recording, they hired Ferdinand Morton, a famous pianist and composer nicknamed "Jelly Roll" from New Orleans. In the same year, Ferdinand Morton also started recording of his record. "Jelly Roll" Ferdinand Morton Ferdinand Morton's series of records recorded in the US Congress Library in 1938 became a treasure for early jazz. He is very complicated. This person is arrogant and ambitious. He exaggerates that he is still a scammer, pimp, gambler, but he is also an outstanding pianist and composer. His biggest talent may lies in organizing bands and arranges. From 1926 to 1928, he led a series of records recorded by his Red Hot Peppers, together with Josheph O1iver's records, can be said to be the most brilliant test of New Orleans's traditional jazz, part of the great achievements of jazz music. louis armstrong in New York and the Battle Orchestra For creative genius Louis Armstrong, tradition is undoubtedly like a tight curse. In the late 1924, he accepted Fletcher Henderson (1897-1952), the most prestigious black band leader in New York, and said goodbye to Joseph O1iver. Fletcher Henderson's orchestra performed in the Rosland dance hall in New York in New York. This is the first big orchestra to be significant in the history of jazz music. The first big orchestra developed from the standard dance orchestra at the time. It was formed by two trumpets, one long number, three saxophone, and other reed instruments. Bass violin or bass copper), drum. These orchestras are performed according to the spectrum (compilation of scores or "watches"), but they also give the solo musicians as the heavy figure to create freedom to play, and they can perform without the score. Although Fletcher Henderson's orchestra was unique at the time, when Louis Armstrong joined, the orchestra still looked not smooth in the rhythm and was not flexible. His smooth and elegant solo in the recording sounded like a diamond on the tin seat. Louis Armstrong's style was mature at the time. He first played a very moving and attractive music on the trumpet. His creativity in the tune is refreshing but logical. The balance of the rhythm (Jazz music is called "point" -time) to make the performance of other musicians look stiff and clumsy compared with him. His influence on other musicians is huge, but Fletcher Henderson has not given him a lot of opportunities for solo performance. This may be that the white dancer he thinks he thinks it is not yet prepared to accept the innovative style of Louis Armstrong. In this year in the orchestra, Louis Armstrong transformed this band from the style. Later, the style of the big band in the United States was transformed because of it. Don Redman (1900-1964) of the F1etcher Henderson band heard the play of Louis Armstrong and recorded it. Another Saxan Hawkins also developed its own saxophone style after cooperating with Louis Armstrong, thus becoming a passerby in the next decade. In New York, Louis Armstrong also recorded a record with Sidney Bechet, BESSIE SMITH (1894-1937), and the latter is the greatest Bruce singer. In 1925, Louis Armstrong returned to Chicago and began to record records in his own name and a small band "Hot Five". The band members include his wife -Lil Hardin Armstrong (1899-1971) who played the piano (1899-1971) , Long -numbered hand Kid Oy1, monocular script tube player Johnny Dodds, guitarist Johnny ST. Cyr. Their first record highlights the personal than Louis Armstrong, first in the United States, and then the world, becoming a sensation in the musician. It can be said that if there is no electrometer, the dissemination of jazz, and even its comprehensive development is impossible. "King" Louis The "The Hot Five" strictly said that it is a recording band. Because for each work, Louis Amsterron has been performed on different occasions, including in the theater's music pool. His skills advanced, and finally, in 1927, he turned from a short number to blow a brighter trumpet. He occasionally show his unique singing voice, but just begging for his novelty. In 1929, the potential of his singing voice was revealed. At that time, he returned to New York to participate in a musical performance, sang the famous song "Aint" ("Not blindly troubled"), and played the pianist " Fat "Thomas Waller (1904-1943) famous songs. He therefore became the instrument, singer, and performer in jazz. The peak of Louis Amsterram's art was reached with another pianist Earl Hines (1903-1983) in the following year. "Dad" Earl Hines is the first collaborator with Louis Amsterron, and the two inspire each other inspiration. Several real jazz masterpieces have been produced due to the cooperation between the two, including "West End Blues" and dual "".
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The Jazz is a kind of title of the European monarch's country. It refers to the people who have made merit on the battlefield or because of some special significance, so they get the king's reward of the field. Low level, not hereditary. Not a noble. It can also be used as a name of music. There are teams of the same name and movie characters and car brands.
Jazz (Jazz), a form of music that originated in Africa, developed from folk songs. Jazz shows a prosperous scene in various forms. Its music style is extremely dazzling, and the rhythm is generally distinct and strong. From the root cause of Bruce and Ragtime (Ragtime), after passing the New Orleans Jazz to Dixieland, swaying music, mainstream jazz, , Pop, Modern Jazz to Liberty and Electronic Jazz.
Catalog
Overview
The development of history
The birth of Bruce
Jazz era
New Orleans: Jazz's cradle
Early musician
Jazz
"Jelly Roll" Ferdinand Morton
LOUIS Armstrong's birth in New York and the big orchestra n "Kings" Louis n Jazz Times
paul Whiteman —— The King of Jazz
's inheritance
The history of jazz in China
I artistic characteristics
NODJB (The Original Dixieland Jazz Band)
Free jazz
(JAZZ FUNK)
(Post-Modern Bop)
Acid Jazz (Acid Jazz):
n Development history of root search
The birth of Bruce
The copper tube band and Lagatim
enter the Jazz era
New Orleans: Jazz's cradle
Early musician r
Jazz
Stique Louis and "Kings" Joseph O1iver
creo1e jazz band
The first jazz record
"Jelly Roll" Ferdinand Morton
LOUIS ARMSTRONG The birth of the orchestra
"Kings" Louis
The Jazz Times
paul whiteman —— The King of Jazz?
of the heritage n Jazz's history
artistic characteristics n n R n The type of Blues
Ragtime
n Swing
Bebop or bop
Cool jazz
New Roar and postmodern roar
Bossa nova
Acid Jazz):
Modern jazz
other
Expand
In less than a century, this name is Jazz [1] (Jazz Music) (Jazz Music) Music, with significant American characteristics, developed from the obscure and downs of the people to develop into the most massive artistic type produced by the United States. Now that people are listening and playing it in almost every corner of the world. Jazz appears in such a large number of forms, and each form is very important, which has maintained its own characteristics and unique charm. If you want to appreciate all kinds of jazz and appreciate all kinds of fun, you must not need to have an open attitude, compatible and listening.
The development history
This traceability
The 19th century music is an important means for black slaves in southern American planting gardens to express self -life and emotions. Since the end of the 19th century, Jazz is based on traditional British and American music, mixed with Bruce, Lagatim and other music types. It is a "mixed -race" product. Black music in the Americas preserves a large number of African characteristics, the rhythm characteristics are obvious, and the characteristics of collective improvisation are retained. Most of this tradition and new residential music — most of them are vocal -combined, as a result, it was not just a new sound but a new form of music expression. The most famous African -American music is religious. These beautiful and moving songs are also listened to, but they have a one more high -class society than the songs sung in the rural black church. The gospel music that people know today is more accurate. Inheritance. Other early music forms include workmanship, nursery rhymes, and dance music that can be traced back to the era of slavery. These have become important music heritage. In particular, the music activities are considered strict restrictions under the system at that time.
Bruce's birth
It's abolition of slavery and slavery, after the liberation of the slave, the development of Africa -American music is rapidly developing. The instrument abandoned by the Army and the newly obtained migration freedom has formed the foundation of jazz: copper pipe music, dance music, and Bruce. Bruce Bruce
is a kind of music form. It can actually have almost infinite changes. It has always been an important part of any kind of jazz music, and it successfully maintains its own independence. It can be said that without Bruce, it is impossible to have today's rock music. Simply explain that Bruce is generally composed of music every eight or twelve sections. The lyrics are closely lyrics. The reason for its "depression (blue)" characteristics is And the "SI" sound dropped. In fact, Bruce is a secular music form corresponding to religious music.
The copper tube band and Lagatim
In the late 1980s, black copper tube bands, dance bands and concert bands appeared in most southern cities in the United States. At the same time, black music in northern United States tends to European style. During this period, Ragtime began to form. Although Lagatim played mainly on the piano, some bands also began to play it. Lagatim's golden age was about 1898 to 1908, but its time span was actually very large and the influence was endless. Recently, it has been discovered. The new "Lagatim" is characterized by the melody and a lot of use of cutting sounds, but its Bruce factor is almost disappeared. Lagatim is closely linked to the early jazz, but it is certain that Lagatim's rhythm is relatively stable. The most famous composer of Lagatim is Scott Joplin (1868-1917). Other famous Lagatim masters include James Scott, Louis Chauvink Eubie Blake (1883-1983), Joseph Lamb, etc. Although the latter is white, he completely absorbs the connotation of this form of music.
The enters the Jazz
Rag Taim, especially the popular style of diluting jazz colors. Its entertainment object is the middle class and is not happy to be an orthodox music. Jazz first appeared in the late 19th century, but it was not called "Jazz" at the time. It was originally called Jass and first appeared in the residential area of black workers in the southern United States. Like Lagatim, jazz was first appeared as a dance. The earliest cities that became the early jazz are new Oliang. This statement is a bit real, but it is also exaggerated.
New Orleans: Jazz's cradle
The New Orleans played a key role in the birth and development of jazz. Here, the early historical research and records of jazz music have been deepened than other places. During the period from 1895 to 1917, New Orleans' jazz may be more and better than other places, but this does not mean that New Orleans is the only place to produce jazz. The music produced by a considerable number of black people in the southern United States should be regarded as a kind of early jazz music. If in Memphis, W. C. Handy (1873-1958) a Bruce composer and collector. Other cities also include Atlanta, Baltimore, etc. At that time, New Orleans seemed to be outstanding and unprepared due to its very open and free social atmosphere. People of different beliefs and different races can contact each other, so the music tradition of music under such an easy -to -communicate environment is very rich, including France, Spain, Ireland and Africa. In this way, it is not surprising that New Orleans became the fertile soil that bred jazz. If New Orleans is the place where jazz is born, although there is a big deal of New Orleans
, but if it is a bit real, the statement about jazz is completely nonsense. Although New Orleans did legalize the karma and therefore produced several most exquisite and tasteful "sports houses" in the United States, if the music played in these places was only a piano solo. In fact, for the first time, people heard the jazz that is quite different from this. At that time, New Orliang's attention was many organizations and brotherhood organizations. Most of them funded or hired a band for different occasions -such as indoor or outdoor dances, picnic clubs, shop opening ceremony, birthday or birthday or birthday or birthday or birthday or birthday. The anniversary party is performed. Of course, playing jazz is also a feature of the funeral team. This is still the case to this day. According to tradition, the band gathered at the door of the church, playing the solemn song and sad song, leading the funeral team to move forward slowly towards the cemetery. On the way back, people's pace accelerated, and the runes briskly replaced Ragaiham. This line of running can always attract many people to watch, which is of great significance in the development of jazz. Those trumpet and monocular handlers created their talents at this time, and the drummers also played rhythmic beats, which became the basis for making the beats "swaying". Generally speaking, jazzle is two -shot, two or four beats in each section. The rhythm background of this two -beats always exists in the subwoofer, which makes jazz music have a stable and regular rhythm foundation. Above the rhythmic bass, it is the irregular melody, harmony, and opposition part of the stress position. They are commonly used to form a strong contrast between the scoring effect and the regular bass.
Early musicians
Most of the musicians in these early bands are some kind of craftsmen (carpenters, bricksmiths, tailors, etc.) or those who perform music performances on weekends or holidays Money to work. The first famous musicians in New Orleans were the first jazz musicians were Buddy Bolden (1877-1931). He was a hairdresser. He played a short number and formed a band in the late 1990s. He may be the first person to combine the roots and rough Bruce with traditional band music, which is of great significance in the history of jazz development. Bolden was treated for a psychiatric attack during a parade of Mardi Gras, and spent his lives at a mental hospital that retains stubborn patients in the rest of his life. He is said to have recorded records, but it has not been confirmed so far. The music we know comes from the memories of other musicians who have heard of his performance when we were young. Bunk Johnson (1889-1949) blows the second short number in Bolden's last band. In the last ten years of his life, the reason why people can re -interested in re -interested in New Orleans Classical Jazz is Bunk Johnson. He is an outstanding storyteller, with rich personality. Most of the legendary stories of New Orleans are related to him, but the most exaggerated ingredients he spoke by him. Many people, including some senior jazz fans, believe that the early jazz musicians are geniuses who have learned their own talents, and believe that they have neither score nor a day of music class. This statement is romantic, but it is a thousand miles. Almost all important characters in early jazz music are at least in terms of orthodox music foundation, and some accomplishments are deeper. Nonetheless, their innovation spirit in the use of musical instruments is still unique. The most significant example is Joseph O1iver (1885-1938) (nicknamed "King"). He is a short number hand and band leader. He has used all kinds of things that he can find, including drinking cups, buckets in sand, and bathtub plastic water plugs to make his short numbers blow out a variety of sound changes. Freddie Keppard (1889-1933) is the main competitor of O1Iver. Keppard does not need to be weak, which can make him proud of being the brightest short hand of New Orleans. Koppard is also the first New Orleans to bring jazz to other parts of the United States. In 1915, he cooperated with the Original Creole orchestra to perform light opera in New York.
Jazz
Around 1912, the musical instruments of the typical jazz band include short numbers (or trumpet), long numbers, clarinet, guitar, bass piano and drums. (Because it is inconvenient to carry, it rarely uses piano). The early jazz is now impressed by Ban Zhuoqin and large. In fact, the jazz band began to use them in the next few years. This is because the early recording techniques can not have a softer guitar and bass violin. pickup. At that time, the jazz band was the short -term number. The long number echoed the chord in the bass area in the bass area, and the clarinet played a modified performance in the two. The earliest impromptu player in jazz is one of the Sidney Bochet (1897-1959). He was a skilled musicians less than ten years old. Later, he turned to play treble Sax. He is also the first jazz musician to be famous abroad. He visited England and France in 1919, and he visited Moscow in 1927. Most jazz musicians claim that their music does not have other names except Ragtime and Sounds. First of all, the word Jazz (Jazz) was a long -handed band of Tom Brown. He was a white man from New Orleans. He used the word in Chicago in 1915. The source of this word is unknown, and its original meaning has always been divergent. The first band to use the word "Jazz" and spreading it is also a white band, and it also comes from New Orleans. This is "Original Dixieland" (Originai Dixieland Jass Band). This orchestra achieved huge success in 1917 and 1918. They were the first jazz band to record records. Most of the members of this band had worked in the band of "Dad" Jack Laine (1873-1966). Jack Laine is a drummer who is considered the first jazz. Anyway, the characteristics of music fusion in New Orleans are relatively obvious. There are some African -Americans with less skin tone "mixed" into the white band. By 1917, many important jazz players left New Orleans to the north, and there were white and black people. The reason is not the closure of the new Orleans's infamous red light district. Simply put, it is just economic reasons. The European War made the American industry prosperous. These musicians, like those millions of workers, flooded to the north, where there is a guarantee to find a better job.
Stique Louis and "King" Joseph O1iver
"Kings" Joseph O1iver moved to Chicago in 1918. In order to fill his vacancies in the best band in his hometown, he recommended the 18 -year -old Louis Armstrong (Louis Amsterram) -the people who are older than him call him "Privilege". He was born in On August 4, 1901, the family was poverty in the black people of New Orleans. His earliest music event was to organize a boy's four -sung group to sing money on the street. Later, he sold coal and did it on the flood dyke. Louis Armstrong's first music class was in the influence institute. He was sent to the Edating Courtyard for 18 months because he was put on the street with an old pistol on New Year's Eve in the New Year in 1913. When he came out of the influence, his music level was enough to find a job in the band in the city. The first famous musician who discovered the talent of this young man was the "Kings" Joseph Oliver. He gave Louis a music class and was worshiped.
Creo1e Band
Arrffaver invites Amsterram to join his band in Chicago, Zhi Ru Gecheng has been a new World Jazz Center. Although New York is a place where the "Original Dixieland Orchestra" (ODJB) has achieved great success, and the atmosphere of Suile dancing in the New York is only inherited from the style of ODJB in the New York. The essence of music. They just imitate (the first and most successful is Ted Lewis). At that time, the southern musicians in New York were also poor, so they could not bring New Orleans' pure style. But the situation in Chicago is different, a large number of musicians from New Orleans. The ban on the ban has just been abolished, and the nightlife of this city can be described as colorful. Here is a lot of "Creo1e Jazz Band" of "King" Joseph Oliver than other bands, especially after Louis Armstrong in Chicago in 1922. This orchestra represents the last glory of the New Orleans Classical Jazz's ensemble, and it also indicates the beginning of a new style. In addition to these two short numbers, the other stars in the orchestra include the DODDS brothers, namely the monocular dodds (1892-1940) and the drummer Baby Dodds (1898-1959). Baby Dodds has increased the subtle rhythm of jazz's drum rhythm and internal power to a new level. Together with another New Orlean drummer Zutty Singleton (1897-1975), he brought the concept of "swing" to the jazz drum performance. But the "missionary" of the swing music is undoubtedly Louis Armstrong.
The first jazz records
"Creo1e Jazz Orchestra" began to fill the record in 1923. Although this is not the first New Orleans black orchestra to make records, it is the best. Their records are widely released across the country, and the influence of orchestra on other musicians is also huge. Two years ago, the "Sunshine Orchestra" (1886-1973) became the first orchestra to make jazz records, but they were made in an inconspicuous California company. The company's bankruptcy soon, and their records were rarely heard. It was also in 1923, "New Orleans Rhythm Kings" -n a white band active in Chicago began to record records. This orchestra is far more complicated than the previous "Original Dixieland". In a recording, they hired Ferdinand Morton, a famous pianist and composer nicknamed "Jelly Roll" from New Orleans. In the same year, Ferdinand Morton also started recording of his record.
"Jelly Roll" Ferdinand Morton
Ferdinand Morton's series of records recorded in the US Congress Library in 1938 became a treasure for early jazz. He is very complicated. This person is arrogant and ambitious. He exaggerates that he is still a scammer, pimp, gambler, but he is also an outstanding pianist and composer. His biggest talent may lies in organizing bands and arranges. From 1926 to 1928, he led a series of records recorded by his Red Hot Peppers, together with Josheph O1iver's records, can be said to be the most brilliant test of New Orleans's traditional jazz, part of the great achievements of jazz music.
louis armstrong in New York and the Battle Orchestra
For creative genius Louis Armstrong, tradition is undoubtedly like a tight curse. In the late 1924, he accepted Fletcher Henderson (1897-1952), the most prestigious black band leader in New York, and said goodbye to Joseph O1iver. Fletcher Henderson's orchestra performed in the Rosland dance hall in New York in New York. This is the first big orchestra to be significant in the history of jazz music. The first big orchestra developed from the standard dance orchestra at the time. It was formed by two trumpets, one long number, three saxophone, and other reed instruments. Bass violin or bass copper), drum. These orchestras are performed according to the spectrum (compilation of scores or "watches"), but they also give the solo musicians as the heavy figure to create freedom to play, and they can perform without the score. Although Fletcher Henderson's orchestra was unique at the time, when Louis Armstrong joined, the orchestra still looked not smooth in the rhythm and was not flexible. His smooth and elegant solo in the recording sounded like a diamond on the tin seat. Louis Armstrong's style was mature at the time. He first played a very moving and attractive music on the trumpet. His creativity in the tune is refreshing but logical. The balance of the rhythm (Jazz music is called "point" -time) to make the performance of other musicians look stiff and clumsy compared with him. His influence on other musicians is huge, but Fletcher Henderson has not given him a lot of opportunities for solo performance. This may be that the white dancer he thinks he thinks it is not yet prepared to accept the innovative style of Louis Armstrong. In this year in the orchestra, Louis Armstrong transformed this band from the style. Later, the style of the big band in the United States was transformed because of it. Don Redman (1900-1964) of the F1etcher Henderson band heard the play of Louis Armstrong and recorded it. Another Saxan Hawkins also developed its own saxophone style after cooperating with Louis Armstrong, thus becoming a passerby in the next decade. In New York, Louis Armstrong also recorded a record with Sidney Bechet, BESSIE SMITH (1894-1937), and the latter is the greatest Bruce singer. In 1925, Louis Armstrong returned to Chicago and began to record records in his own name and a small band "Hot Five". The band members include his wife -Lil Hardin Armstrong (1899-1971) who played the piano (1899-1971) , Long -numbered hand Kid Oy1, monocular script tube player Johnny Dodds, guitarist Johnny ST. Cyr. Their first record highlights the personal than Louis Armstrong, first in the United States, and then the world, becoming a sensation in the musician. It can be said that if there is no electrometer, the dissemination of jazz, and even its comprehensive development is impossible.
"King" Louis
The "The Hot Five" strictly said that it is a recording band. Because for each work, Louis Amsterron has been performed on different occasions, including in the theater's music pool. His skills advanced, and finally, in 1927, he turned from a short number to blow a brighter trumpet. He occasionally show his unique singing voice, but just begging for his novelty. In 1929, the potential of his singing voice was revealed. At that time, he returned to New York to participate in a musical performance, sang the famous song "Aint" ("Not blindly troubled"), and played the pianist " Fat "Thomas Waller (1904-1943) famous songs. He therefore became the instrument, singer, and performer in jazz. The peak of Louis Amsterram's art was reached with another pianist Earl Hines (1903-1983) in the following year. "Dad" Earl Hines is the first collaborator with Louis Amsterron, and the two inspire each other inspiration. Several real jazz masterpieces have been produced due to the cooperation between the two, including "West End Blues" and dual "".
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The Jazz is a kind of title of the European monarch's country. It refers to the people who have made merit on the battlefield or because of some special significance, so they get the king's reward of the field. Low level, not hereditary. Not a noble. It can also be used as a name of music. There are teams of the same name and movie characters and car brands.
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